Pasadena Roof Orchestra, a big band since the seventies
The Pasadena Roof Orchestra was born in 1969 in London, at a time when traditional jazz seemed definitively relegated to a niche. The idea was against the grain: bringing back to life the sound of the American big bands of the twenties and thirties with instruments, arrangements and performance style as faithful as possible to the original sources. Leading the project from the beginning is John Arthy, guitarist and early jazz scholar, who will remain the musical director and soul of the orchestra for decades.
In the early Seventies the Pasadena Roof Orchestra quickly established itself on the British scene thanks to live concerts and a series of albums which received wide radio coverage, especially on the BBC. Success is linked not only to musical quality, but also to the ability to transform the historical repertoire into elegant entertainment, far from both academicism and nostalgic parody.
A central element of the orchestra’s identity was the alternation of solo singers capable of embodying the vocal style of the period. Among the most representative voices are Kenny Baker, known for his ironic and light phrasing, and Bob Hunt, appreciated for his adherence to the crooner style of the Thirties. In some periods, Elaine Delmar also collaborated, helping to strengthen the bond with the female vocal tradition of classic jazz.
From an instrumental point of view, the Pasadena Roof Orchestra has always functioned as a true stable big band, with high-level horn sections. Musicians such as Ray Gelato (tenor sax) and Colin Good contributed at various times to defining the compact and swinging sound of the ensemble. The arrangements, often done by Arthy himself, were based on original scores by Ellington, Henderson and Redman, sometimes reconstructed from period recordings.
In the 1980s and 1990s, while contemporary jazz took other directions, the Pasadena Roof Orchestra consolidated its role as the authoritative guardian of the swing tradition, continuing to perform at the main international festivals and release commercially successful records.
(written with the help of AI)
Tiger rag
Happy feet
Puttin’ on the Ritz
Me and Jane in a plane
Nobody’s sweetheart
Singin’ in the rain
I can’t dance
Lullaby of Broadway
‘s wonderful
Stormy weather
Home in Pasadena
Nagasaki
Ins’t it romantic?
Paddlin’ Madelin Home
Cheek to cheek
