Sanremo 2025: a second evening without lightning (except Damiano)
Second tour of Boa to Ariston, Without particular flashes or twists, except Damiano David’s performance. The songs are objectively protagonists, but few leave their mark. In the second and third evening of Sanremo Festival We listen to in each half of the singers in the race, evaluated in this case by the televoting and by the Jury of Radio (50% each): In every evening the first five classified are always revealed. Between the second and the third round of Boa there will be a first winner: at the beginning of the second evening, in fact, they also perform The four artists of the new proposals in two direct challenges made up of two artists each. The most voted singer of each challenge will have access to the final of the third evening. The performances are voted by the jury of the press room, TV and web (33%), from the radio jury (33%) and from the public at home via televoting (34%).
To spend, on this second evening, are Alex Wyse and September. At the beginning of the third evening these two artists will perform, finalists of the new proposals section. On this second evening they are guests Damiano David, who in the opening sings in a majestic way “happiness” by Lucio Dalla with Guest The actors Alessandro Borghi e The little Vittorio Bonviciniand Vittoria Puccini. On stage also the actors Edoardo Leo, Pilar Fogliati, Emanuela Fanelli, Maria Chiara Giannetta, Claudia Pandolfi, Marco Giallini, Maurizio Lastrico, Rocco Papaleo, Claudio Santamaria of the cast of the film “Follemente”. To co-match Bianca Balti, Cristiano Malgioglio and Nino Frassica. Below our votes and report cards to the songs and performances of the big names:
Willie Peyote – “Thanks but no thanks”: 7
Rhythm and irony for a piece that has an exceptional chorister: Luca Ravenna. The song is perfectly in line with the world traced in recent years by the Turin artist, who does not distort Ariston.
Rose Villain – “outlaw”: 7
So immersed in the song that it seems, at the level of performance, inside a video clip. Each movement gives strength and imaginary to the piece, which changes shape several times. Starting quietly, he is coming like a wave.
Rkomi – “The rhythm of things”: 5
A song that does not pierce, despite the many authors involved. The insertion of the performance of two elderly people who dance does not save too linear a performance.
Giorgia – “The cure for me”: 8
Exhibition after performance, is increasingly dissolved, convinced and in confidence with the song. Puts wings.
Achille Lauro: “young unconscious”: 7
A very stylish laurel has a suspended piece over time. It falls into the part of the “singer -songwriter” and does it in a dirty way, in its own way: in a musically mediocre Sanremo as this, it is exalted.
Bresh – “The Giro del Crab”: 7
A ballad that smells of the sea, of places to discover, with a refrain that remains lightly in the lead. A piece to sing aloud.
Marcella Bella – “Diamond leather”: 5
In a fantastic world, a feat between Anna Pepe and Marcella Bella, a “kadaie” ante litteram that has always claimed its independence, would be beautiful. The song is mediocre, but Marcella’s charge is unquestionable.
Simone Cristicchi – “When you are small”: 7
He moves the audience, which dedicates a standing ovation, with a very sentimental song that affects the heart easily, perhaps too much. But he must be recognized a communicative and never banal tale force.
Francesca Michielin – “Mud in Paradise”: 6
The Revenge Song of the Venetian singer -songwriter grows and, despite the injury, the performance is lucid and heard As the final emotion shows.
Fedez – “beat”: 5
Undeniable that the piece, evening after evening, grows, dragged by a strange and crooked performance, complete with “alien” contact lenses. How true in that discomfort is there? Maybe this aspect matters, maybe not because Sanremo, largely, is show. Everything is worth. But it is legitimate to ask questions and not let yourself be taken only by the show.
Serena Brancale – “Anema and Core”: 5
A piece that appears out of context where its performance is certainly distinguished, but it is not enough.
The Kolors – “You with who you make love”: 5
Torment factory in action. A piece to dance and without too many pretensions, but a pinch more than organ would be necessary. The fact that Calcutta is among the authors makes his eyes wide.
Lucio Corsi – “I wanted to be a tough”: 8
He arrives at Ariston on foot, like a “normal person”. His piece is a hymn to normal, he who in the world of music is an alien. He brings to Sanremo a world, an imaginary and wins for his originality, delicacy and poetry.
Elodie – “Forget about 7”: 6
On stage, together with her bodybuk, is a lioness: she plays the piece with great conviction and energy. The electronics, after the most “open” part, wraps the listener, but does not really drag him elsewhere. The “blow” is missing.
Rocco Hunt – “A thousand times again”: 6
Song that somehow contains all the souls of the Campania voice: the pop and the rap. The text speaks of existences to the crossroads and for this reason it stands out. Musically, it has a captivating refrain, but has no truly unique or particular traits.
