Sanremo 2025: the report cards of the third evening
Third evening at Ariston: The other 14 big names are performed, those who have not passed through the second round of Boa, all voted by the Jury of Radio and the Televote, there will be a final ranking: a partial cinquina in the end. Musical Superospiti i Duran Duranwhile the co-conductors are Miriam Leone, Katia Follesa and Elettra Lamborghini. Towards the end of the evening, after midnight, there is also the Final of young people between Alex Wyse and September. On this occasion All juries vote: press room, TV and web (33%), the radio jury (33%) and the public at home via televoting (34%). Below we will add our votes and report cards to the songs and performances of the big names during the evening.
Modà – “I don’t forget you”: 5
Same themes of all time, same sounds as always, themselves Modà as always.
Coma things – “Cuoricini”: 6
Torching made and finished for better or for worse. Perhaps, in front of their career, also dotted with pieces such as “flames in the eyes”, more badly. Even after the festival it will work.
Olly – “Balorda nostalgia”: 8
Take out the song from inside, from the bowels.
He has a particular transport and in fact the public pays him a well -deserved standing ovation. A well -written ballet which, beyond any result, will remain even after the end of the festival.
Noemi – “If you fall in love with you”: 6
Noemi does Noemi: sings with personality And strength, but the song, despite Blanco’s signatures, Michelangelo and Mahmood, appears dated, has no truly original or memorable sides.
Shablo feat. Guè, Joshua & Tormento – “My word”: 7
In the end it is the only truly “urban” piece of this edition of Sanremo: Old School, with a nice groove, a nice refrain from Joshua, Gué and torment that rap and have fun. In Shablo console: it also makes television. Good vibes.
Joan Thiele – “Eco”: 7
An attack on Morricone, a voice that pays homage, with all the debt proportions, great divers such as Mina and Amy Winehouse. The singer and musician smears a guitar who has personally created: one of the most interesting names in this Sanremo Festival.
Massimo Ranieri – “In his hands a heart”: 6
One of the great Italian voices. The piece That’s exactly what one might expect from him and does not stand out for freshness.
Sarah Toscano – “Amarcord”: 5
A trivial piece, interpreted well, for heaven’s sake, but that does not stand out and that stands on felt and resentful sounds.
Bruori Sas – “The tree of walnuts”: 8
A Degregorian song in the trend, but with a personal writing that for depth and images stands between the banality we often hear. In the second performance it is always safer.
Clara – “fever”: 5
Very skilled and prepared in exploiting the direction: he plays with the cameras, moves well on stage, but the song does not center, everything is too already felt.
