Lazza takes San Siro for the horns

Lazza takes San Siro for the horns

ByJohn

Almost three hours of music. Over forty songs who fish with full hands from all his discography. A sea of ​​guests, some of weight, among these Laura Pausini, Marracash, Geolier, Fabri Fibra, Salmo and Sfera Ebbastaothers not necessary for the final yield of the concert. Lazza, As if it were the bull on the cover of his latest album “Locura”, he takes the San Siro stadium for the horns and sets a concert divided into six chapters, launched by Milan’s speaker Germano Lanzoni, Some of a high level such as the one with the orchestraa sort of magical “Late Orchestraction” at Kanye West, Others like the set with Drillionaire and Low Kidd more telephoned and flat, imbued with hosts.

To support him in the first part of the live An excellent band (Claudio Guarcello, keyboard; Luca Marchi, Basso; Giovanni Cilio, drums; Eugenio Catini, guitar), which then leaves room for the second set, piano alone, accompanied solely by Maestro Aleksander Zielinski. These first two chapters are centered and create a right swing between more energetic pieces and others more intimate. The rapper also finds time to give a branded bag to his mother and to call his girlfriend on stage. The grandmother will arrive on “Cenere” and the father will be at the end. Fortunately there are more songs than family meetings: Lazza, it must be underlined, live is very strong, both from an interpretative and technical point of view. It is certainly not new, he is the son of the Salmo school. The audience is literally from a stadium, complete with choreography in the stands, very hot, one of the most incandescent seen in the urban world in recent years. Poghi, choirs, leaps, pieces sung at the top. The first part closes with “green in the viola” with an intense instrumental tail that enhances the musicians.

Even in the set with the Lazza Plan, bringing the fans into an atmosphere that mixes emotion and fury, it is fully in his. “Tadrme”, with him on the piano and Tedua to rap, is a nice moment. The third block puts the two Drillionaire and Low Kidd producers in the center, who built and launch the sound rugs on which they raise Lazza and a long series of guests. And here the concert turns to a festivalbar dimension that does not stand out. Beautiful and right the celebration of a path, But if you enter San Siro it is legitimate to expect something that affects from the point of view of the inspiration and above all of staff. Deploy, in the heart of live, A treadmill of guests It is not enough, it’s too “easy”. When he made him sphere in 2024 he made sense, that San Siro was the symbolic “Taken of the Trap Bastille”, But in this lap is pleonastic, it is showing unnecessary and not very interesting muscles. Yes, the public Gasa, jumps, makes the stadium tremble on “G63”in several situations is the real show, but the question remains: without guests would have been exactly the same? Of course not. Shortcuts like these are useful, smart, but never bright on a creative level.

If in the fifth act of the show the band makes its return on stage for hit as “Chiagne”, “ash” and “hatred song”, the fourth and sixth are the orchestral moments, with the twelve musicians of the Milan Symphony Orchestra present on stage under the direction of the master Enzo Campagnoli. And here those ideas, which in the DJ sets full of guests were uniform, come out and shine. Between arches and winds, the pieces dress a particular, intense, different dress, also present in “Locura Jam + Opera”. The arrangements are treated, rigorous, virtuous. “Most Zeri” with Laura Pausini and Orchestra, for example, live is a very powerful song. The orchestral are the most relevant sets because they have a dense structure, not comfortablesomething that is part of the identity and artistic universe of Lazza, and which at the same time surprises. They are not a large transposition, on a stadium scale, of something already happened and seen in the buildings, but new unlocked levels, which distinguish it. This is the substantial difference. I am hisnot of others. The epic-orchestral ending on “100 messages” is the most clear demonstration of this. The Milanese rapper manages to tame San Siro When he puts concepts in the fieldin other situations, when he follows already furrowed soils, shy the charge and does not affect.

Scaletta:
Ouverture 3
Habit
Molotov
Zonda
King Mida
Casanova feat Artie 5ive
Certain things
Mob feat Salmo & Nitro
Mezze truth feat Kid Yugi
Gate
Panic
Green in the viola
Ouverfour
Noise
Darkness in front
Tar feat Tedua
J
24h
Bbe feat Anna
No institu feat Jake La Furia & Emis Killa
Gigolò feat Cape Plaza
Honey feat Tony Effe & Capo Plaza
Superman
Lario feat Fabri Fibra
Piove feat Sfera Ebbasta
G63 feat Sfera Ebbasta & Shiva
DDA
Zeri more feat Laura Pausini
Hot
Ghetto Superstar feat Ghali
Alibi
Fenanyl
Gucci Skimask
Nobody feat Geolier
Chiagne feat Geolier
Ash
Hatred
Released from jail
-3 feat Marracash
Never dead
100 messages
Turtleneck
Ferrari

John
John

With an untamed passion and deep, eclectic knowledge of music, John is the soul of RadioWise UK. Having worked in the music industry for over two decades, his vision was to create a platform that embodies the love and respect for music. John is known for his great attention to detail and insatiable thirst for discovering new talents and music genres.